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- #DAVINCI RESOLVE 15 NO AUDIO PLAYBACK UPGRADE#
- #DAVINCI RESOLVE 15 NO AUDIO PLAYBACK PROFESSIONAL#
- #DAVINCI RESOLVE 15 NO AUDIO PLAYBACK WINDOWS#
#DAVINCI RESOLVE 15 NO AUDIO PLAYBACK PROFESSIONAL#
With the inability to record internally while simultaneously outputting RAW over HDMI, many professional shooters will be wary of entrusting their production to the S5’s less secure Micro HDMI port. Looking at you, Sony a7S III/FX3 and Canon R6. The GH5S can shoot internally in the 17:9 aspect ratio, which some newer, more expensive mirrorless cameras still cannot do.
#DAVINCI RESOLVE 15 NO AUDIO PLAYBACK UPGRADE#
Panasonic also included V-Log L as standard on the GH5S, which previously required a paid upgrade on the GH4/5. While S5 and S1 owners can record in 10-bit 422 internally, they have to settle for Long GOP, making the GH5S perhaps a more suitable sidekick to the S1H for broadcast work. DP Yoram Astrakhan has relied on the GH5S as his go-to gimbal and car-mount cam on Investigation Discovery’s Betrayed, albeit using FHD capture.Īs alluded to earlier, C200 owners who paid three times more for their camera still do not have an internal 10-bit 422 codec.
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The internal 10-bit 422 All-Intra 200 and 400 mbps h.264 codecs already made the GH5S suitable for broadcast. Eye and face detection are twice as fast as before, while human and animal recognition are five times faster as well.ĬineD previously tested AF improvements to the GH5S.Īs a former Sony Alpha shooter spoiled in the past with fast and reliable autofocus, I’m genuinely impressed with the improved autofocus on the GH5S, enough to rely on it every day for live streaming.
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While Panasonic’s improved depth-from-defocus won’t turn any heads, turning heads now at least stay in focus, thanks to new head recognition and tracking. Though unlikely to unseat autofocus titans Canon or Sony anytime soon, Firmware 2.0 ushered in a marked advancement in the autofocus realm, bringing the GH5S up to speed with the improved autofocus performance of the LUMIX S5. Panasonic has long received a bum rap for lackluster autofocus performance in LUMIX cameras. Hats off to Panasonic, Blackmagic Design and Atomos for extending the relevance of this once flagship LUMIX camera well beyond its original sell-by date.īut if you’re in the market for a budget RAW-capable camera, is the GH5S still a wise investment compared to other options on the market or coming soon? To answer this question, let’s delve deeper into some of the other features already packed into this micro four-thirds marvel. If you already own a GH5S, shooting in BRAW or ProRes RAW is a no-brainer. Is the LUMIX GH5S still a good investment in late 2021? The lack of Camera Raw controls is a disappointment, but with 12-bit BRAW files you can still push and pull the regular temp and tint adjustments pretty hard without the footage looking any worse for wear. The sample footage is straight out of the camera, with no grading or noise reduction.
#DAVINCI RESOLVE 15 NO AUDIO PLAYBACK WINDOWS#
The BRAW player on Windows is just as nimble, though a minor gripe is the inability to add a viewing LUT.Īfter installing the firmware updates on the GH5S and Video Assist 12G HDR, I took them both for a spin around the block, capturing some handheld day and night exteriors. DaVinci Resolve 17.4 eats BRAW files for breakfast, playing back and scrubbing DCI 4K footage without a hiccup. Like a hot knife through butterĪn equally pleasant surprise is how smoothly BRAW footage plays back on Windows. It’s fair to say the GH5S has indeed been reinvented three years later. The ability to write 12-bit BRAW files to affordable SDXC cards with long record times is a real game-changer. While Blackmagic RAW’s initial appeal to me was for commercial and narrative projects, I’m now seriously considering BRAW for documentary work as well. Officially supported ProGrade UHS-II V60 64GB SDXC cards worked flawlessly up to and including constant quality Q0, the best and most intensive BRAW format available on the Video Assist 12G HDR. Though not supported, I successfully tested PNY UHS-I 64GB SDXC cards up to and including DCI 4K BRAW using 5:1 compression.